Where do u find this comics????

I drew it, so I’m gonna say from my head. The name “goat wizard” popped into my head and I tried to think of a comic story to go along with it.

This is the most notes I’ve ever gotten on any of my art by a long shot aaaaaaa the notes won’t stop.

Thank you to my new followers by the way! I really appreciate it! I reblog a lot, but there are links to my comic and art posts on my sidebar. Plus most of my reblogs are cute animals and who doesn’t love those right?

So I guess I’m going to start using twitter again. Dunno how often I’ll post, but I figure it could be fun sometimes.

If anyone wants to follow me I’m @camboots.

ghostduck:

*Tears for fears voice* Everybody wants to pee on the world

Gonna reblob this comic while I’ve got some attention just in case.

ghostduck:

*Tears for fears voice* Everybody wants to pee on the world

Gonna reblob this comic while I’ve got some attention just in case.

Woah Goat Wizard is getting a lot of notes! Thanks everyone! Especially Pi, since a lot of them are coming from her reblob.

For our next trick, Goat WIzard will summon forth the demons of hell to devour the earth!

For our next trick, Goat WIzard will summon forth the demons of hell to devour the earth!

WARNING

I’ve got a comic that I will post later tonight that’s going to KNOCK YOUR SOCKS OFF and them throw them in a fire.

atapi:

atapi:

this is the stupidest gif i’ve ever made

i still like this so here you go

atapi:

atapi:

this is the stupidest gif i’ve ever made

i still like this so here you go

storyshots:

Drawing from films

Drawing from films is a ridiculously useful exercise. It’s not enough to watch films; it’s not enough to look at someone else’s drawings from films. If you want to be in story, there’s no excuse for not doing this.

The way this works: you draw tons of tiny little panels, tiny enough that you won’t be tempted to fuss about drawing details. You put on a movie - I recommend Raiders, E.T., or Jaws… but honestly if there’s some other movie you love enough to freeze frame the shit out of, do what works for you. It’s good to do this with a movie you already know by heart.

Hit play. Every time there’s a cut, you hit pause, draw the frame, and hit play til it cuts again. If there’s a pan or camera move, draw the first and last frames.

Note on movies: Spielberg is great for this because he’s both evocative and efficient. Michael Bay is good at what he does, but part of what he does is cut so often that you will be sorry you picked his movie to draw from. Haneke is magnificent at what he does, but cuts so little that you will wind up with three drawings of a chair. Peter Jackson… he’s great, but not efficient. If you love a Spielberg movie enough to spend a month with it, do yourself a favor and use Spielberg.

What to look for:

  • Foreground, middle ground, background: where is the character? What is the point of the shot? What is it showing? What’s being used as a framing device? How does that help tie this shot into the geography of the scene? Is the background flat, or a location that lends itself to depth?
  • Composition: How is the frame divided? What takes up most of the space? How are the angles and lines in the shot leading your eye?
  • Reusing setups, economy: Does the film keep coming back to the same shot? The way liveaction works, that means they set up the camera and filmed one long take from that angle. Sometimes this includes a camera move, recomposing one long take into what look like separate shots. If you pay attention, you can catch them.
  • Camera position, angle, height: Is the camera fixed at shoulder height? Eye height? Sitting on the floor? Angled up? Down? Is it shooting straight on towards a wall, or at an angle? Does it favor the floor or the ceiling?
  • Lenses: wide-angle lens or long lens? Basic rule of thumb: If the character is large in frame and you can still see plenty of their surroundings, the lens is wide and the character is very close to camera. If the character’s surroundings seem to dwarf them, the lens is long (zoomed in).
  • Lighting: Notice it, but don’t draw it. What in the scene is lit? How is this directing your eye? How many lights? Do they make sense in the scene, or do they just FEEL right?

This seems like a lot to keep in mind, and honestly, don’t worry about any of that. Draw 100 thumbnails at a time, pat yourself on the back, and you will start to notice these things as you go.


Don’t worry about the drawings, either. You can see from my drawings that these aren’t for show. They’re notes to yourself. They’re strictly for learning. 

Now get out there and do a set! Tweet me at @lawnrocket and I’ll give you extra backpats for actually following through on it. Just be aware - your friends will look at you super weird when you start going off about how that one shot in Raiders was a pickup - it HAD to be - because it doesn’t make sense except for to string these other two shots together…

kenanandkeldor:

keldordraws:

How to eat Mac n Cheese

I spent a long time on this, pls look at it
look at this beautiful masterpiece
I should be like, an industry leader or sumshit like for real

Jesse quit doing better animation than I ever did. I’m jealous.

kenanandkeldor:

keldordraws:

How to eat Mac n Cheese

I spent a long time on this, pls look at it

look at this beautiful masterpiece

I should be like, an industry leader or sumshit like for real

Jesse quit doing better animation than I ever did. I’m jealous.

Some concepts from the comic page I’m working on. Steph helped me with the girl’s design a bit.

Wow why did I ever draw comics in my smaller sketchbook. I can do so much better things on bigger paper.

I’m working on another comic btw. Been fun brainstorming for new ideas/characters.

I still want to do more ghost comics sometime, but this is what’s getting me drawing comics so I’m going to stick with it.

calssara:

My Franziska von Karma costume <3!~~

costume, make-up, model by me (http://facebook.com/calssara.cosplay)
photo taken by Blue Potion Photography 

complete set on http://calssara.com